Tech, Tea + Exchange — AI Residency
Shaping the landscape of creative learning using generative AI. More at Tate.
NFC Summit 2025 — ‘Echoes of Light’
‘ECHOES OF LIGHT’ at the NFC Summit, Lisbon. View the work on objkt.
Uni to Unicorns
Unpack the creative power of the tech industries and explore where the art world meets the tech world.
Extended Realities: Late at Tate Britain
What connects the physical presence of the user to the empathic experience? How does time and the absence of reality relate to the user?
Living Room at BFI Future Film
VR showcase event.
Uniqlo Tate Lates
I was invited to activate the 4th Floor Boiler House, Tate Modern as part of the Uniqlo Tate Late event. More here.
Online exhibition
A small collection of artworks by Chris Follows, selected from over the past 20 years, in the context of the COVID-19 lockdown. The work explores personal connections with the past through family experiences, our local environment and perceptions of domesticity.
Visit the exhibition online: framevr.io/chrisfollowsart
71 Ranelagh Road — ‘FLAT’
Video work shown in FLAT, the first exhibition in Camden Town’s newest art space, the Arlington Gallery.
What does the phrase “International domesticity” convey to you? Spouses living in different countries? Multicultural furnishings? A transatlantic league of housewives? The words come from Chris Follows’s statement accompanying his video work, 71 Ranelagh Road, in FLAT, the first exhibition in Camden Town’s newest art space, the Arlington Gallery. After explaining how he captured “home” video footage from the internet between June 22 and 30 this year, Follows says: “The found footage has been reworked into a new narrative that leads the viewer through an uncanny maze of international domesticity.” The resulting four-minute DVD, in which empty dining rooms, washing-up, open-lidded toilets and beds strewn with clothes move shakily in and out of view. H&H Series, Arts and Features, July 28 2006, London
All In One Place
